In the late 90s, I started to get a lot more gigs that required lots more travel. Dealing with a large and expensive arch top on multiple flights was… not fun. I was never a big solid body guy (talking guitars, not physique here), but I started looking around for an instrument that played great, had a wide tonal palette, looked cool, and (#1 for me) would fit into an overhead bin on a plane.

That January, a bunch of us went to the NAMM show in Anaheim. I stopped by the Godin booth and saw this LGX model. Blew me away! In addition to the 2 pickup setup, there’s a piezo (with a separate output jack!) AND a MIDI output. I was still into the MIDI guitar world at the time, and this instrument seemed like a perfect fit for me. I met the rep, sent him my info and CV, and we worked out a relationship where I got to specify the type of pickups and the custom koa top (really beautiful!)

I set it up like a jazz guitar…round- or flat wounds, .012″ on top. My wife gave me an amazing Levy gig bag. (Funny story…I was teaching at a workshop in Shanghai, playing with saxophonist Dave Liebman. He looked at the gig bag and said “Mike, that’s the most beautiful gig back I have EVER seen!” (Dave is not always so…eloquent.) 🙂 Anyway, the point is, every place I went, players (and not just guitarists) were commenting on how full and round it sounded. And, with the new gig bag, NO AIRLINE GRIEF!! I still use this axe a lot when traveling, especially nowadays.

1999 Godin LGX; custom koa top, piezo pickup with separate output, MIDI output.
With the Godin, at an outdoor festival in Lefkosa. Northern Cypress.
Check out this awesome leather gig bag from Levy’s Leathers in Nova Scotia.